Self: Final Shoot Plan & Outcomes

For my final series, I will be producing outcomes based on the positivity of social media, and my personal use of it recreationally, as well as tying in a shoot that refers to my personal interest to pursue pet portrait photography as a future career. This incorporates my earlier experimental shoot featuring pet portraiture, based on dogs. I will be developing my abilities and skills in this field of photography, using an alternative model and props.

The shoot will take place in a studio environment, allowing me to control my lighting as well as contain my model in a confined space. This will also allow for non-distracting backgrounds which give my outcomes a stronger impact, drawing tones from my model that may otherwise go unnoticed with a detailed environment to detract from the dog.

I will require my D7100 for this shoot, as well as my macro and 18-55mm lenses. My tripod will also be present, in case it is required. Studio equipment required includes a black background and two soft-boxes, and further props include a chair, costumes and toys. Dog treats may also be required to manipulate the behaviour of my subject.

Abby Malone is my biggest inspiration for this shoot, with her variety of pet portraits incorporating dogs in a range of locations. I endeavour to replicate her ability to portray personality within her photographs.



This shoot portrayed my model in a variety of costumes with assorted props, all shot in the same studio-based environment. Matched with the unpredictability of the dog, this scenario created a wide variety of results with varied successes.

My aspirations to pursue a pet portrait photography career is very clearly attended to in this shoot, linking to my personal goals within the photography field. However, with reference to my previous themes and research represented within my Self project, the concept of a dog sustains my ongoing link to social media and personal recreation.

Using Photoshop, I was able to reduce imperfections in my backdrop as well as further enhance my models’ colouring and details, including sharpness within the eyes and fur texture. These effects were achieved using tools such as burn, dodge, clone and sharpen.

More intermediate effects, such as manipulating the reflection within the dogs’ eyes to appear natural, were also applied using the marquee tool (to mask a circular shape) and then cloning the existing reflection in order to create rounded shapes. The edges were feathered (Select, Modify, Feather) to reduce the starkness of the false reflections’ edge.

Many of my images are rich in tonal differences, both in colour and greyscale variations, due to the costumes and rich coat contrasts. The brown tones in Max’s coat are more obvious in the colour outcomes, however, whereas the black and white images tend to be more tonal around defining areas, such as the muzzle and eyes.

Costumes with vibrant colours, such as the red and green antlers, are more effective as overall photographs when presented in colour, whereas more subtle tonal differences can become empowered through the use of the greyscale effect.

I feel this shoot was clearly inspired by Abby Malone, and techniques of hers were subtly incorporated into my own work, the clearest of which being her monotone black backdrop. However, my pieces including powerful interludes of colour which was a personal choice selected apart from Malone’s work.

Overall I find this shoot to have been successful, as my outcomes are well executed with clear deference to my previous experiments and concepts, with a relation to myself both aspiration based and with themes geared towards what I enjoy doing recreationally.

Final Collection



Self: Shoot 6 Plan & Outcomes

In order to meet my project proposal, and therefore my brief, I will be producing an outcome that portrays a variety of my successful experiments. In order to do this successfully, I will be using the technique of multiple flash exposure, replicating myself and any alternative props or models in one image multiple times.


My biggest inspiration remains to be Brendon Burton, with his concept of a photographic diary, however my most successful experimental shoots have been those incorporating flour, mirrors and dogs. The photographers who have inspired me for each of these shoots are Kyle Thompson, Laura Williams and Abby Malone.

My camera of choice for this shoot will be my Nikon D7100, accompanied by my 18-55mm lens. A tripod will be used to stabilise the camera, maintaining a level and still background when creating the outcomes. Further props include flour and a mirror, as well as an alternate model (dog). Editing software, including Photoshop, will be required during the post production process.

I will be shooting in a studio environment on a black background, using soft boxes as my light source. In order to maintain control over my lighting as required in multiple flash exposure photography, the lights will be flashed manually.

For this shoot I will require assistants, including one of my peers who can manually flash the lights and press the shutter release on my camera, and the owner of my secondary model (dog) to avoid incorporating him into parts of the shoot that he is not required for, as well as catering to his needs (water, short breaks/walks etc.).



This shoot was my second attempt at multiple flash exposure, and a first using multiple props and models. This proved difficult, as in the dark it was difficult to predict the composition of the final outcome.


My concept of combining these techniques was to be an effective representation of my concept, portraying themes from social media that suggested confusion and disarray, as well as the comfort of an animal. However, the execution of these photographs was poor, as none of my concepts were clearly represented.


I went on to use Photoshop in the post-production process to crop my outcomes, since my backdrop had not been adequately sized for the space consuming shoot, as well as creating a stronger contrast in an attempt to draw out the details within the photographs.


Due to the darkness in the studio, each outcome varied completely, with little structure to their composure. However, one commonality of all of my three outcomes was that the dog is not definable, and has little impact on my outcomes. However, the mirror frame proved to be a strong aspect to my images, and is clear and sharp in each photograph.


My outcomes were typically more powerful in colour, however the tonal differences in the black and white outcome which I produced in Photoshop allows my models to blend into their areas of the photograph, creating a more harmonious piece. Due to this, the above outcome is my most successful outcome from this shoot.


I would not consider this to be a successful shoot, as my technique of multiple flash exposure photography was not well executed to clearly portray my experiments. However, the messy outcomes have a strong relevance to my confused concept of mental health, which allows the pieces to play towards my theme when appropriately conceived.